Canon Elura 100 First Impressions Camcorder Review

by Nick Hyacinthe
Published on Jan 7, 2006 6:00 PM

Intro Performance
Format Tour
Auto / Manual Controls Still Features
Handling and Use
Audio / Playback / Connectivity
Other Features Comparisons / Conclusion


Handling
While the camcorder’s small frame makes it very portable, the thin design makes the camcorder a bit cumbersome to handle. The small buttons are huddled together in clusters throughout the camcorder’s body. The average adult will fumble with the miniature buttons as they do not fall directly underneath the thumb and index finger.


Although relatively cumbersome, the Elura 100’s design makes it easier to handle than past Eluras (e.g the Elura 90) because of the reduction in external buttons and the implementation of the joystick. In the past, one would have to juggle with the camcorder engage manual features, but now most of these adjustments can be made with the flick of ones thumb. Panasonic offers a similar joystick feature that sticks out further towards the user making it easier navigate with. Both options are more user friendly than the Sony Touch Screen menu system. Having to constantly tap on an LCD screen that is littered with menu options can be discouraging.

LCD/Viewfinder
The Elura 100 has a 2.7” widescreen LCD with 123,000 pixels and a 0.3” color viewfinder displaying the same number of pixels. The LCD can rotate about 270 degrees. While the LCD’s mobility aids the user in making smooth transitions between high and low angle shots, one is limited by the slight distortion that occurs when the image is viewed at an angle. The viewfinder is the biggest hindrance to this model’s flexibility; it does not extend out towards the user, forcing the user to press his or her face against the back of the camcorder. It is difficult to access the menu or make adjustments over the quality of the image when your face is being nuzzled by the very buttons and joystick you need to use. The immobile color viewfinder plagues this year’s ZR series as well.







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