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Canon Vixia HF S10

Camcorder Review

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Hardware

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JVC GZ-HM400
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Other Features

Excellent still sharpness, 8-megapixel stills; simultaneous video and photo capture; plenty of manual controls. Above average still noise levels; pre-record is useful and convenient. Video Snap feature isn’t as cool as it sounds.

The Canon HF S10 has a wealth of photographic features and, as we found out in our still testing, it can function rather decently as a still camera. The camcorder can take photos in any mode: dual shot, photo mode, movie mode, and even during video playback. Full photo options, however, are only available in dedicated photo mode. Here, you can adjust image size with options ranging from 3264 × 2456 to 640 × 480, choose an image quality setting, or select a metering mode from evaluative, center-weighted average, or spot.

In addition to the extra metering mode, photo mode gives you access to the same shutter-priority and aperture-priority modes that you find in video mode. Most manual controls that work in video mode are also applicable with photos. There’s a continuous shooting mode that will keep taking photos for as long as you keep the shutter button pressed (a hi-speed continuous feature does the same thing, only with a faster shutter), and an auto exposure bracketing option that takes three sequential photos, each with varying adjustments to exposure. Rounding out the HF S10’s still features are a self-timer and an auto rotate feature, which will display correctly any images that were captured with the camcorder on its side.

Even though you may not be able to spot it at first, the camcorder does have a built-in flash. It’s embedded inside the body of the camcorder, in the portion just above the lens. When you activate the flash, it automatically pops up out of its compartment. The flash can be set to auto, red-eye reduction, always on, and always off. Behind the flash is a hot accessory shoe that can be used to attach an external flash or video light.

In movie mode, you can turn on an option for simultaneous recording. With this option activated, photos can be captured while you record video (with photo size options of 3264 × 1840 or 1920 × 1080). In dual shot mode, simultaneous recording is automatically engaged, with the photo size always set to 1920 × 1080. In playback mode, the HF S10 has an option for capturing a still image from a recorded video. All you need to do is pause the video and hold down the shutter button to take the photo. In the camcorder’s playback menu, you can set the quality of these captured images (from super fine, fine, or normal), but the image size must be set to 1920 × 1080.

The still playback screen looks just like the video playback screen. Photos are arranged as thumbnails and selecting an image brings up a full-screen view of the photo. Also displayed on the LCD screen is a large blue histogram and an information box with details about the photograph: shutter speed, aperture setting, image size, etc. Using the zoom toggle during still image playback allows you to digitally magnify a 3264 × 2456 photo up to five times.

The Canon HF S10 measured a color error of 4.22 in its still photos, which is close to the 3.42 it scored in our regular video color testing. The saturation level was recorded as 96.85%. This is a decent score for still images, but not quite as good as the superb color performance evidenced in the still photos of the Sony HDR-CX500V (2.80 color error) or the JVC GZ-HM400 (3.08 color error).

The Canon HF S10 had difficulty with dark blues and some yellows and oranges in our still color test. This is not the same trouble that we observed in the camcorder’s video color testing. Video footage recorded less accurate reds, while it performed quite well with blue hues. These discrepancies aren’t troubling, since the camcorder uses different processing for still and video mode. However, that may be something to look out for if you’re concerned about the colors matching up on videos and photos.

The Canon HF S10 measured high noise levels in its still photos, averaging 1.23% noise in our tests. This isn’t terrible, but it’s too high for a still image recorded in bright light. It’s higher than any of the camcorders we selected for comparison, including the Sanyo VPC-HD2000, which came in at just 0.77% noise. Fortunately for the Canon lineup, noise is really the Achilles heel of an otherwise solid still performance on the HF S10.

The Canon HF S10 has a big, high resolution CMOS sensor—something that really comes in handy for taking large, sharp photos. The camcorder recorded an excellent horizontal sharpness of 3146 lw/ph with 6.10% oversharpening. Things didn’t fare as well with vertical resolution, which measured 1909 lw/ph with 1.2% oversharpening from the same image in our test. This discrepancy between horizontal and vertical matches the results we got in our video sharpness test, which also showed the camcorder performing better on its horizontal measurement. Still, these are both very good scores overall, and the Canon HF S10 has one of the strongest still sharpness measurements we’ve seen. The JVC GZ-HM400 also put up good numbers here, with 2329 lw/ph horizontal and 1800 lw/ph vertical.

Digital Effects

When adjusting audio, the camcorder doesn’t display any hard numbers or actual decibel gain levels. Instead, you are provided with a long bar that can be raised or lowered, almost like you’re adjusting a volume knob on a radio. While this is still a useful feature, it can be a hassle if you’re trying to adjust audio to a specific gain level. The HF S10 does have an audio level display, however, with markers set at -40dB, -12dB, and 0dB—so you can still get an idea of where your audio levels are peaking. If you plan to spend a lot of time adjusting audio levels, you can assign audio levels to the custom control dial and use the dial for finer control. (Just beware that your finger isn’t scuffing the microphone in the process.)

Video Light

The video light is tucked away inside the top of the HF S10. When you turn on the light from the joystick menu (or activate the flash, which is located in the same spot), it pops up from its underground lair to provide you with a little illuminating aid. The light isn’t fantastic and it will eat up your battery life, but its good to have if you do lots of filming in the dark.

Pre-Record

Pre-record is a useful new feature on this year’s Canons. When the setting is turned on, the camcorder will constantly record footage in a 3-second memory buffer. So, whenever you press record you’ve already captured three seconds of video. That’s very useful if you’re trying to capture an unpredictable event—like the winning soccer goal or baby’s first steps. (Of course, you still have to be pointing the camcorder in the right direction.) Like the video light, pre-record does use up a lot of battery power, so don’t turn it on if you’re going to be away from a power source for a long time.

Video Snapshot

Video Snapshot is also new to this year’s Canons, but it’s pretty unimpressive. When you press the Video Snap button, a blue border appears around the LCD screen that will begin to illuminate when you press the record button. After roughly 4 seconds, the blue border will have made its way around the entirety of the LCD screen and recording will automatically cease. Essentially, the video snapshot feature is useful for making short 4-second clips one at a time. These clips can then be organized in a playlist, have music added to them, and viewed as a short little film on the camcorder.

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Canon Vixia HF S10
Camcorder Review

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Hardware

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JVC GZ-HM400