by Joseph Devlin
We all know the web is sloshing full of digital video. How can you find just the right video in an ocean full of choices? Opinions about which video search tools work best vary widely. So I decided to create a quick test to provide a more objective measure of success.
I started by compiling a list of the video search tools I had seen other bloggers recommending. Next I created a list of specific videos I wanted each tool to look for. I asked each tool to look for each video using search terms that worked well on the service that hosted that video.
Following is a listing of the five videos I was looking for, the search terms I used, and an explanation of what I was looking for:
- Doraemon Happy Meal McDonald's - A Japanese McDonald's commercial I found on YouTube.
- IBM and the Future of Movies - An episode of one of the best- known corporate video podcasts. Hosted on IBM’s servers.
- Joe Devlin, Rick Prelinger explains - An interview I posted a few days ago on Google Video for this blog.
- San Francisco Urban Iditarod - A fake sled dog video I posted as a test almost two years ago on several on-line sites. Six months ago it showed up on the front page of the official SF Urban Iditarod MySpace page.
- Battlestar Galactica, The Road Less Traveled - An episode of a popular TV show that can be viewed off Hulu.com and AOL Video.
My rating for each search engine (1 star for each correct hit of my five test videos.)
SPECIALIZED VIDEO SEARCH ENGINES
(These are supposed to crawl the web looking specifically for all sorts of video content) 
Truveo * * * * *
Truveo found all five of the videos I searched for right away and presented the results so that each video could be played with a click of the mouse. It also provided lots of different ways to search (i.e. top ranked, most viewed, most viewed today, most recent, most relevant, etc.)
AOL Video * * * * *
http://video.aol.com/video-search
Results of this search looks almost identical to a Truveo search. This is no surprise since Truveo powers the AOL Video search these days. Going throug AOL provides a smaller selection of search choices than a pure Truveo search, so maybe the correct ranking should be four and half stars.
Blinkx * *
A big disappointment. Blinkx gets mentioned by a lot of bloggers as their favorite video search tool. It found my Google Video/ Prelinger video and the right Battlestar Galactica show on Hulu.com. It also found 890 McDonald's videos using my search criteria and 83,000 IBM videos, but in each case the specific video I was looking for was not listed in the top 20 selections.
SearchforVideo *
Lets you sort by date or relevance but produced awful results. The only one of the searches it completed correctly was for my Prelinger interview. Unfortunately the first result for the Prelinger search was "G Unit Rapper Lil Scrappy explains his blonde hair phase..." My Video was the 31st video listed. One star may be too high a rating.
Fooooo * *
A Japanese video search engine ported to English, Russian, Chinese and French about a year ago. It found the two videos hosted on YouTube but nothing else.
SEARCH TOOLS BUILD INTO AGGREGATION SERVICES
(Video search tools built into video hosting or aggregation sites)
YouTube *
I know, I know, YouTube hosts the lions share of web video and can find everything it hosts. But the built-in search engine does a terrible job finding anything not hosted on YouTube. It found the YouTube McDonald's commercial, but from what my tests show nothing else. It did not even find the video hosted on sister site, Google Video.
iTunes * 
I love iTunes, but I find that the iTunes search tools get harder to use with each new release. The iTunes podcast directory search tool found the IBM video podcast, but I know the service well. I suspect most people would not even find that. The main iTunes search tool found some older episodes of Battlestar Galactica, but new episodes of the show have moved to Hulu.com and AOL video and were not listed in iTunes.
Google Video Search * * *  
The search engine built into Google Video did a better job than the YouTube search engine. It found the two videos hosted on Google Video and the McDonald's video hosted on sister site YouTube. It found promos for the TV show, but not the episode itself.
Hulu.com *
If you haven't tried Hulu.com you are missing a great free video on demand service. Hulu offers free streaming video of more than 400 TV shows and movies, primarily from NBC and FOX and affiliated cable networks (USA Network, Bravo, Fuel TV, FX, Sci Fi, Style, Sundance, G4, and Oxygen). The video it offers is also much higher resolution than found on YouTube. On the other hand, the built-in search engine only finds Hulu content (such as the Battlestar Galactica show I was looking for.) Hence the low rating as a general purpose video search engine.
GENERAL SEARCH TOOLS
Google * * * * *    
Almost a year ago I was meeting with a client, a large publisher of video podcasts. I advised him to pay closer attention to what Google was revealing about his podcasts. "Joe you just don't get it" he told me. "Google does not index podcasts".
"Not entirely true" I told him. "Google has got some skunk projects that are starting to look closely at video feeds. More importantly Google crawls almost every website. If you are offering video that is fed from an Internet landing page or if you include show notes about a video on the web, your casts are going to be found by Google." He argued I was being dense until I asked him to do Google search on one of his episodes.
"See" he beamed at me "look at the terrible results Google is providing. It has found all this old screwed up material we fixed long ago and lots of comments critical of my podcasts. I don't want anyone to see any of this stuff!."
"And what are they seeing when they do a Google search" I asked.
"Oh" he said and spend the next hour yelling at his webmaster.
It is certainly true that a plain vanilla Google search does not provide as good a video search as Truveo does. Yes, Google found every video I asked it to find, but it also returned lots of other related info. If you run a business that uses on-line video, you need to keep tabs on what sort of results straight Google searches produce. If you are looking for video and only video, you are probably better off using Truveo. The interface is streamlined for video and it provides a variety of search criteria not available in a straight Google search.
Added on May 10, 2008 9:00 AM
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by Emily Price
Looking for sponsorship for your videos? Videorix is a site designed to help video creators find sponsorship for their online videos. The site has a decent amount of advertising opportunities for video makers. You can browse through the advertising options on the site, pick an advertiser and submit a proposal. If approved you get the sponsors ad to put as a pre-roll at the beginning of your video, and you get paid.
The process is pretty easy, and could be a great way to earn some cash, and find some people willing to pay to advertise on your videos. The site is still in beta right now, so you also may run into some kinks along the way.
Have any of you tried Videorix? How do you find advertisers for your videos?
Added on May 7, 2008 11:00 AM
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by Emily Price
According to Mediaweek, the Interactive Advertising Bureau has introduced a set of guidelines this week that are designed to standardize online-video advertising the guidelines cover three online video formats: interruptive video spots, non-linear ads, and companion ads.
The guidelines were created by the IAB’s Digital Video Committee, which has 145 leading media companies including big names like Yahoo and Google. The guidelines which are suggestions rather than rules, cover things like low long ads should be, what files size, color, and bit rate. You can read more about the guidelines in the Mediaweek article here.
For those of you that create online ads how do you feel about the new guidelines?
[via WillVideoForFood]
Added on May 7, 2008 6:00 AM
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by Joseph Devlin
One of my favorite bloggers is Jeremiah Owyang who is currently working as a social media analyst for Forrester Research. He just posted a wonderful list of brands that have been punked by social media activists. Included in Jeremiah's list is a YouTube video about passengers being stuck on a plane after the crew has departed, a video about the iPod's dirty secret, and a YouTube rant about Starbucks and starving kids. The point is that businesses have a good reason to be scared about damage that can be done to their brand by shoestring budget viral videos posted on YouTube.
I was thinking about how to include this list in a blog post when I read a news story about Nielsen (the big market research company best known for tracking our television viewing habits) which has just launched a new service to help companies keep an eye what you and I are doing. OK let me be more accurate here -- Nielsen Online is building a consulting group to help advertisers manage their reputations on the Web -- specifically in user-generated content environments. Proof that big brother is now watching over you. Makes you feel important doesn't it?
Seriously, social media is becoming an important tool in the business world. Companies need people who understand the blogosphere, understand YouTube, Facebook, viral videos, social media and the like. Turns out that all the stuff you have been doing for fun may actually lead to something.
Added on May 5, 2008 9:00 AM
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by Joseph Devlin
The Prelinger Archives is a great place to look for old archival footage for incorporation into one of your productions. Eight years ago the Archives placed a good chunk of its content into the Internet Archive. Those working on a shoestring budget can now download this material for free and use it as needed. Bigger budget productions -- productions with lawyers, accountants, and insurance companies that demand a written license to use material have to pay to get that documentation. It is a good deal for both kinds of users, even a good deal for Prelinger. Records show that Prelinger Archive revenues have almost doubled since they adopted this new approach to Internet distribution.
I figured that Rick Prelinger, the head of the Prelinger Archives and Prelinger Library, would be a great guy to interview about the repercussions of the newly drafted Orphan Works Act (see our last post about its creation for details). Rick knew even more about the subject than I had hoped. Turns out that he, Brewster Kahle (the founder of the Internet Archive) and their lawyer Lawrence Lessig (a Stanford law professor and founder of the Creative Commons) are the three people who have done the most to push this new law into existence. They started the ball rolling when they sued the U.S. Attorney General to fix a US copyright system that has recently become, in Lessig's words, "The most inefficient property system designed by man". For details about why this is so take a look at this video created by Lessig to explain the problem.
Why Rick Prelinger likes the new Orphan Works Act
Making sure that artists get properly credited and reimbursed for their work , and at the same time allowing them to build upon the work of others is a complex subject. We don't have a law yet, (separate drafts are currently working their way though the House and Senate), but Prelinger feels that both are big improvements over the mess we currently have. The new Orphan Works Act aims to encourage the formation of databases by arts organizations that will make it much easier to register your work, establishes clearly defined rules to follow in order to determine if a work has truly been abandoned, establishes a mechanism for insuring that artists get paid if and when they discover that someone has been using their work, and protects other artists who incorrectly thought they were using abandoned work.
In this video interview I taped with Rick Prelinger he discusses the issue in much more detail. "In this country", Prelinger says, "we discard more media than the rest of the world ever produces". With luck, the adoption of this new law is going to breath new life into all the work that otherwise would sit rotting in musty old film vaults. Here is to hoping.
Added on May 4, 2008 9:00 AM
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by Michael Perlman
If you’re an artist, you’ve probably heard about the Orphan Works Act by now. This includes you, online video producers. There’s a lot of static bouncing around about this new bill. If passed, it could make any original works you create and post online fair game to anyone. The new 2008 Orphan Works Act, which was just recently revised from the original 2006 draft, pertains primarily to any copyrighted works in which the original owner or creator cannot be located. Hence, the term “orphaned.”
Let me break it down for you. You’re an independent filmmaker working on the next blockbuster action flick and your budget won’t allow entry for hefty explosives and blasting permits. You find some stock footage of an explosion that is the explosion to end all explosions. But when you go to snag the rights to use the clip, the owner of the copyright or original creator cannot be located. Now you can’t use the footage in fear that the original owner or creator will someday surface and sue your pants off.
(Full story here).
Added on May 1, 2008 12:08 PM
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by Joseph Devlin
Jehane Noujaim is a well-known Egyptian/American documentary filmmaker who believes that moving images can be used to bring the world together. Two years ago she won a $100,000 TED prize providing her with the seed money to help her realize her vision. Since that time her organization, the Pangea committee, has reviewed more than 2,500 films sent in by amateur and professional film makers living in 102 countries. The committee weaned this pile of submissions down to 24 favorite short films that will all be screened during a four-hour marathon film festival on May 10.
Live versions of the festival will be screened at thousands of venues all over the world. If you like, check the Pangea website to see if there any seats still available at a big screen near you. You can also catch the program on some cable stations or mobile phones. I suspect however that most of the audience for Pangea Day will be hunkered down in front of their computer enjoying the event by themselves or with a gathering of friends and family.
To see a list of the films that will be screened, find a local venue, sign up to host your own neighborhood viewing party, or for info on how to experience the event on TV, cell phone or the Internet, check out the Pangea website.
It looks to be a very moving experience.
Added on May 1, 2008 9:00 AM
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by Emily Price
Always wanted to be in a music video? Now’s your chance.
Zach Braff (from Scrubs) is directing a music video for singer/songwriter Jay Clifford. The idea behind the video is to get fans to record themselves lip synching to Jay’s song “Know when to Walk Away” and then mix the fan submissions in with Jay's performance of the song. You can download the song for free off the site and check out the official rules.
This is a great way to try your hand at shooting a music video if you’ve never given it a whirl before, and could earn you a spot in a real music video. It's an interesting idea- to bring in user-generated content to make a video. What are your thoughts on the idea?
Added on Apr 30, 2008 1:00 PM
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by Emily Price
CinemaTech just took a look at three websites that are designed to help filmmakers raise money online. They only looked at sites that were open for anyone to use to get funding which narrowed the discussion down a bit. The three sites they talked about were IndieGoGo, ArtistShare, and IndieMaverick. You can check out the article here.
The internet is certainly changing the way filmmakers raise money for their films. On the positive side a lot of these sites take a lot of the legwork out of finding people to fund you, and allow the option of having lots of smaller investors rather than just a few big shots. It seems like it might be harder to convince the masses to give you a small amount of money rather than a few big shots to give you a substantial amount of it. Have any of you used an internet site to fund a film? What was your experience?
Added on Apr 30, 2008 7:00 AM
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by Emily Price
Nokia just signed a deal with Spike Lee to do a short film for cell phones. The idea behind the film is to have Lee use some user-generated content that has been shot on cell phones, and then to put together a film that has three 5-minute parts. In talking about the project Lee said “Within five years, new movies will be made with devices like these.”
Do you think that’s actually the case? Sure movies are starting to skew more digital than film. The release of the RED camera is adding a whole new level of quality to digital video and making it possible to shoot some pretty amazing stuff digitally….but cell phones in 5 years? Really? Truth be told I was shocked and amazed Spike Lee signed up for this project in the first place, much less made a comment like that about it.
While I can see mass online quality videos being shot with cell phones in 2013 (probably MUCH better than what we would classify as web quality now) I can’t imagine seeing a Blockbuster shot on a video camera from a cell phone. Can you?
Added on Apr 28, 2008 10:00 AM
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by Joseph Devlin
Australian director Baz Luhrmann (Moulin Rouge!, Strictly Ballroom) has teamed up with Apple to host a free film making course on iTunes. Dubbed Set to Screen the course is formatted as a video podcast with accompanying course material that can be subscribed to and downloaded onto any PC or Mac via Apple's iTunes.
Each episode is three to five minutes long and illustrates one aspect of the work Luhrmann and his team are doing as they pull together Australia, Luhrmann's most recent production.
Five of later episodes will include a creative challenge. Each time one of these episodes is released, students will have three weeks to complete the challenge and post it to the Apple Student Gallery. The 20 best projects submitted (10 high school and 10 college projects) will win a prizes ranging from iPods to MacBook Pros. The videographer who produces the project judged best overall will get a chance to go to Australia and work on the actual film.
The first two episodes in the course are currently up on iTunes. These are beautifully produced but provide only rudimentary introductory material. Will this project become more than an interesting case study about how to promote a film under the guise of a teaching opportunity? The only way to figure that out is to subscribe and follow along as it plays out over the next six months.
ps: I am always surprised at how many people make the false assumption that you need an iPod to play content downloaded from iTunes. Everybody should have a copy of iTunes loaded onto a PC or Mac. iTunes is free and provides a wealth of free downloadable content, all of which can be played right on your PC or Mac. No need to pop for an iPod if you don't want one.
Added on Apr 28, 2008 9:00 AM
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by Joseph Devlin
Last week I spent a few days interviewing folks at the Web 2.0 Expo in San Francisco. The place was swarming with other camera people and sometimes I had to wait in line to grab one of the on on-camera interviews I will be posting later on this week. So I began to check out the equipment other people were using.
I like to do trade show interviews with a tripod and a wired or wireless mike. I can't stand shaky shots of video screens or listening to the din of the crowd in the background. Apparently this puts me in the minority. The only other guy I saw with a tripod was Brian Shields the Online News Manager and roving camera guy for KRON 4, one of the local news stations in the Bay area. Everybody else I saw was using a hand-held camera and an on camera mic. The one exception was Robert Scoble, uber blogger and new managing Director of Fast Company TV. One of Robert's specialties is capturing and posting instant show floor discussions. He captures these on his Nokia N95 cell phone and posts them immediately using qik.com.
I am currently working on a couple posts about the many different styles that can be used to capture events. Love to hear your thoughts about equipment you recommend and your preferred way to go about capturing video from a conference or show floor. In the mean time, check out the results of these different styles of show floor recording.
Added on Apr 27, 2008 9:00 AM
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by Joseph Devlin
Check out this great article in the NY Times about how to make money producing how-to videos for the web. (You might need to subscribe to view the article. Subscribing to the Times is painless and free) It details how some video producers have made hundreds of thousands of dollars producing videos about stuff like how to turn a flashlight into a laser or how to teach a cat how to use the toilet. The article lists sites that will pay for this sort of work and the sorts of videos that do best. What it doesn't tell you is that sites like Metacafe don't start paying you until you have reached a certain number of hits and that you won't get paid for hits you get before you meet your quota.
This is not a subject I have a lot of experience with. Anybody out there have any good or bad stories to tell about uploading video to Metacafe, WonderHowTo, VideoJug, Howcast, ExpertVillage, Graspr or any of the other sites that specialize in this sort of material?
Added on Apr 26, 2008 9:00 AM
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by Joseph Devlin
A little over a month ago I filmed a QA session about video lighting at a screening of the work of documentary filmmaker Bob Elfstrom. I asked Bob if I could film and air the session. "Sure" he said,” no problem" so I let the camera roll. At a board meeting of the non-profit that sponsored the screening I was discussing my plans for putting the session on our website when one of the other board members asked to see a signed release from Bob. "It's OK, I got his verbal OK on camera" I told them. Not good enough was the decision.
Last week I spent a few days roving the halls and filming interviews at the Web 2.0 Expo in San Francisco. The place was swarming with camera people grabbing interviews. The equipment we used to capture interviews varied considerably. In fact, the only constant I could find was that none of us bothered to get a signed release from anyone we interviewed. Are releases too old school, or is it just that news capture is a special case?
I always recommend that business clients get a release for any interview they capture and plan to put on the net. The bigger the company, the deeper that company’s pockets, the greater the likelihood that sooner or later you will get sued by a disgruntled ex-employee or business partner.
Can a good release really prevent lawsuits from happening? Consider the case of the arch comedy Borat about a fictional Kazakhstani journalist. There is no question that some of the people who appeared on the film were way too drunk to be considered competent when they signed the releases they were given. Best as I can tell, it didn’t make a difference. None of the lawsuits made it very far. If a good release can protect producers who create outrageous scenarios to trick drunken buffoons into singing "throw the Jew down the well" on camera they can probably cover most legitimate uses of web video.
Added on Apr 25, 2008 9:00 AM
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by Joseph Devlin
One way to measure the effectiveness of a commercial is to track how many YouTube parodies it has spawned. In their book What Sticks authors Rex Briggs and Greg Stuart summarize what they learned while testing the effectiveness of a wide range of corporate marketing campaigns. I learned a great deal about how to create an effective short marketing video by reading the book. Rule #1, figure out what message you want to convey and stick to that message. Their test results show that one of the most effective commercials ever produced are those hyper annoying HeadOn: Apply directly to the forehead commercials. They work because they have such a clearly defined objective - get the product's name in front of an audience and make sure everyone knows what it is for. The rest is extraneous, and the parodies are abundant.
I am thinking about this subject because I just read a great piece in Slate about why the new Subway "five-dollar foot-long" commercials are so effective. Check it out if your job involves creating short videos that grab an audience by the throat. Although these commercials achieve effectiveness using the same sort of repetition as the HeadOn spots they are not as annoying. What keeps them interesting is the use of background music using non standard chord progressions that surprise you every time you hear them. It keeps it interesting, and insures a better class of YouTube parody. Also check out Five Dollar Footlong Extended Dance Mix Subway has placed on YouTube. If anyone sees this actually being played in a dance club I would love to hear about it.
Added on Apr 23, 2008 9:00 AM
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by Emily Price
Break Media has created the Online Video Advertising Council. The council's sole objective is to analyze online video advertising and determine its effectiveness. Other people on the council include Ogilvy One, truTV, National Geographic Channel, eMarketer, and Horizon Media, amongst others.
How effective do you think online video advertising is right now? For now most video ads online from a user standpoint are pretty obnoxious. It would be great for content producers if the council could come up with a way to create video ads that are effective and engage customers. What would it take for you to enjoy an online video ad?
Added on Apr 23, 2008 6:00 AM
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by Emily Price
YouTube is testing new versions of the Inbox, My Contacts, and My Videos features. The most dramatic amount of updates comes to the My Video section where you can now see details for all your videos in one view and add videos to play lists and favorites in large groups rather than individually. The new versions are live now so go check them out!
Added on Apr 21, 2008 8:00 AM
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by Joseph Devlin
Adobe's new Media Player is not really a direct competitor to Apple's iTunes. Like iTunes it provides access to a wide range of TV shows, video clips, and podcasts on either a Mac or a PC. What's different is the way the two companies are monetizing (making money from) the service and how they plan to work with partners.
Lets face it, iTunes exists primarily to help Apple sell music, movies, and iPods. Yes Apple did a great job loading up the service with free content in the first couple of releases to build market share. Now that it has that market share, finding and downloading the free content is becoming much more difficult.
Adobe's Media Player takes an entirely different, and much more business friendly, approach. So far, all of the content provided by Adobe TV (the on-line channel associated with the player) is free. Adobe plans to make money by helping companies brand their video and/or to embed advertising within the content. The Media Player is based around a new programming environment (AIR) which gives content providers a great deal of control over the look and feel of both the video and the player. Adobe will also provide much more complete tracking info than you can get from iTunes or YouTube. For example, Adobe can tell you when a user has watched a whole video or cut off watching half way through. Adobe will also work with content providers to help them embed and get paid for advertising.
If you want your video to be seen by a lot of people, submit it to iTunes or YouTube. If you want more control over the look and feel of that content, or want to embed advertising and track the demographics of who is watching your videos you might want to talk to Adobe.
Added on Apr 19, 2008 6:00 AM
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by Joseph Devlin
Adobe TV is the new on-line channel that delvers content via the new Adobe Media Player. Like Apple's iTunes it provides access to tons of TV shows, video clips, and business video. Of course iTunes has been around longer and provides access to more stuff. Where this early release of Adobe TV really shines is in its offering of tutorials. I am sure that iTunes hosts more Final Cut tutorials, but if you use and train people to use Adobe applications like Photoshop, Premiere, After Effects and Encore DVD, download the Adobe Media Player and check out all the free tutorials.
Be warned the Adobe Player has a very different (and much more flexible) interface than iTunes. Spend some time with this DVR influenced interface and you may like it. To find the tutorials click on the CATALOG button on the opening page and then type in the name of the application you want to learn about in the search bar. The screen on the right shows a few of the 21 free tutorials that are offered on the subject of "Using Photoshop with Video". Many of these were already available on the Adobe website, but Adobe TV brings them all together in one easy to search centralized repository. Enjoy.
Added on Apr 18, 2008 3:02 PM
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by Joseph Devlin
I am always on the lookout for great viral video marketing campaigns created on a shoestring budget. The best ones I know are the Will It Blend shorts that demonstrate that a Blendtec blender can chew up pretty much anything you can feed them. Camcorders, marbles, iPhones, and a cochicken (half of chicken and a can of coke) have all been reduced to dust or soup in one of these impressive and amusing videos. There is even a video shot in part with a Sony handicam while it was being blended. Blendtec blender sales have soared since the company started airing these spots and Blendtec has even started to get paid to shoot and air the videos.
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I figured I would never find another viral video campaign as amusing or as successful as the Blendtec spots. That is until I ran across the new Japanese McDonald's ads on YouTube. There are a million of these things on YouTube. If they are real they are brilliant, turning the familiar Ronald McDonald character into someone who is edgy and fun. If they are mashups created by fans who have intermixed pieces of real McDonald's ads with stuff pulled from other sources I think McDonalds is wise not to lawyer up and try to get them pulled. These are not like the disastrous Chevy Tahoe video mashups attacking the products they focus on. Whoever is making these likes Ronald and his hamburgers.
More after the jump ...
Added on Apr 18, 2008 9:00 AM
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