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High definition (HD) is no longer the future. It's here. With a proliferation of options, it's frustrating for consumers to make sense of it all. HD, HDV, AVCHD... what does it all mean? Here's a summary of terminology and choices. What is HD? HD video is a higher resolution than the previous format, standard definition (SD). Camcorders that record SD video produce a resolution of 640 x 480. That means 640 lines of vertical resolution and 480 lines of horizontal resolution. In recent years, widescreen, or 16:9, became more common. This has a slightly larger resolution of 720 x 480. There are two competing HD formats available in consumer camcorders right now: 720p and 1080i. The first, 720p, refers to camcorders producing a resolution of 1280 x 720. The second, 1080i, refers to camcorders producing a resolution of 1920 x 1080.
That's easy to understand, right? 1080i has a higher resolution. If these were digital still cameras we were talking about, that would be the end of the argument. But video incorporates motion. This is where the issue of the "i" and the "p" comes into play. The "i" stands for interlaced. Traditionally, camcorders split up those horizontal rows of resolution into odds and evens. First one set is refreshed, then the other set. Each of these "fields" is refreshed, back and forth, each at 30 times per second. It happens fast enough that the human eye usually can't see the slight lag time. However, when you pause a interlaced video clip, you'll see a distinct jagginess. The "p" in 720p stands for progressive. This means that the entire image is refreshed at the same time, 30 times per second. Qualitatively, this tends to produce smoother motion, and is often preferred for sports shooting, because freeze frames will not have the same jagginess that 1080i produces. The trade-off is that 720p has less resolution. Note: 1080p is another term popular in for televisions. As you might have guessed, it means 1920 x 1080 progressive. Lots of TVs can support it for playback, but currently very few consumer camcorders actually record in 1080p. The Difference between Media and Format This is the most common area of confusion. The term "format" typically refers to the compression the camcorder uses. These result is various file types that can be read by your computer. "Media" refers to the physical medium onto which video is stored. Some camcorders have multiple media, but it's rare that a camcorder has more than one format. These terms are sometimes used interchangeably, only adding to the confusion. For this very reason, it's even hard for us to organize categories on CamcorderInfo.com. Here's what you need to know: Common Media Types Flash Memory (aka Solid State, Memory Card) - Flash memory is a catch-all term for any media that have no moving parts - no spinning discs or tape reels. Many consider this the media type of the future. Battery efficient, extremely compact, and easy. Capacities may be limited compared to HDD, though it gets larger every year. Some camcorders have removable memory cards, some have non-removable internal memory, and some have both. Popular models: Canon HF10, Canon HF100, Panasonic HDC-SD9, Sony HDR-CX7, Samsung SC-HMX20, Sanyo VPC-HD1000 Hard Disk Drive (HDD) - HDD media is high capacity, usually 60 - 120 gigabytes. Long record times are great, but you must have the discipline to routinely back up video to a separate hard drive or DVD. Popular models: JVC GZ-HD7 and GZ-HD6, Canon HG10, Sony HDR-SR12, Panasonic HDC-HS9 Tape - Some HD camcorders use a type of tape called MiniDV. These are exactly the same tapes used by standard definition DV camcorders for years. Tape is definitely old school by most standards. You have to fast forward and rewind, just like on your VCR. Reliable, widely available, and fairly sturdy. Popular models: Canon HV20, Canon HV30, Sony HDR-HC9 DVD - In camcorders, this always refers to the smaller, 8cm "miniDVD" discs. DVD is convenient because it's familiar to so many of us. However, the record times can be as little as 15 minutes when shooting in the highest quality. Be warned that you cannot take DVDs from your HD camcorder and play them in your home DVD player unless you have a Blu-Ray player. Popular models: Sony HDR-UX10 and HDR-UX20, Canon HR10 Common Formats AVCHD - Introduced in 2006, AVCHD has exploded in popularity, allowing HD video to be recorded onto all the non-tape media listed above. AVCHD has gotten a little better each year. Some models are finally on par with HDV in overall picture quality. The format is expected to phase out HDV in the coming years. Every manufacturer has a slightly different recipe for AVCHD, so finding a compatible editing program can be tough. Also, you'll need a powerhouse computer to work with files. All current AVCHD camcorders record in 1080i, though the format allows for 720p. Popular models: Canon HF10, Panasonic HDC-SD9, Sony HDR-SR12 HDV - This is the oldest consumer high definition format. Today's consumer HDV camcorders only record in 1440 x 1080, then stretch the footage to 1920 x 1080 for playback. Camcorders compressing in HDV only record to MiniDV tape. Widely compatible with editing software and easy to use. Popular models: Canon HV20, Canon HV30, Sony HDR-HC9 AVC/H.264 MPEG-4 - No, it doesn't roll off the tongue. This format is currently used by some Samsung and Sanyo camcorders, all of which record in 720p. Popular models: Samsung SC-HMX10 and SC-HMX20, Sanyo VPC-HD1000 MPEG-2 Transport Stream - JVC is the only manufacturer using this format, found on its line of high definition Everio camcorders. On average, the lowest overall picture quality, now that AVCHD has matured. Low compatibility with editing software. Popular models: JVC Everio GZ-HD7 and GZ-HD6 Editing Your HD Movie Every format/media combination is going to have it's own unique editing workflow, so there's no way to cover it all here. The take away points are pretty simple. Tape-based HDV is still the easiest, simply because it's been around the longest. Footage must be transferred in realtime to you computer: 60 minutes recorded video means 60 minutes to transfer. Once it's on there, most editing software can work with the files just fine. You'll need a relatively new or powerful computer. All the non-tape media have the advantage of speedy transfer from camcorder to a computer via USB. Once the files are in, however, the process can slow down. AVCHD is newer, and there's still a lot of compatibility issues. One program will work with Sony but not Canon and Panasonic. Some might do the reverse. Also, you'll need a very powerful computer to keep the programs from slowing or crashing entirely. Then there's the issue of sharing your edited movies with friends and family. The most viable method of distributing HD movies is to burn them onto Blu-ray discs. Don't have a Blu-ray burner? No kidding, almost no one does. Until a cheap distribution system becomes available, your best bet is to shoot in HD, edit in HD, and save it. Then export a second copy that is downconverted to standard definition. That way you can burn it to a regular DVD or put it on the web. In a few years, you can re-export the movie in its original HD. Is Now the Time to Buy HD? If you're shopping for a new camcorder right now, HD is strongly suggested. In a few years, HD will be the standard for recording and displaying all types of video. Of course, there are still a lot of good standard definition camcorders out there, but they won't look as good when blown up on your big screen TV. Shooting in HD now means that you're future-proofing your memories for as long as HD exists. (Oh yes, HD will eventually be replaced by something even better, but we don't expect that for quite some time.) Shop smart, and shop comparatively to get the right camcorder for you. |
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The Kodak Zi8 ($199 MSRP) is an ultracompact camcorder with some impressive specs: Full 1920 x 1080 HD recording, a 5 megapixel still image capability, and a 3.5mm external microphone jack. Even with these strong specs, however, we found the camcorder to be more of a disappointment than anything else.
The Kodak Playsport Zx3 represents a big upgrade over last year's Zx1 from Kodak, and it also poses a significant threat to the ultracompact camcorder market currently dominated by the Flip. The Zx3 offers Full 1920 x 1080 HD video, 5-megapixel still image capability, HDMI-output, and an SD/SDHC card slot—oh yeah, it's also waterproof (up to 3 meters).
The JVC Everio GZ-HM1 is the company's new flagship camcorder. This model borrows heavily from the excellent features found on last year's GZ-HM400, while introducing a couple new ideas for 2010. Among the numerous improvements you'll see this year are an Advanced Image Stabilizer and back-illuminated sensor.
The HF S21 is Canon's flagship camcorder for 2010. The camcorder has the same lens and sensor as last year's HF S series from Canon, but this new model includes an impressive 3.5-inch LCD touchscreen, as well as a handy electronic viewfinder. The HF S21 also features—for the first time in AVCHD—a native 24p record mode.
Panasonic really went to town updating the internal specs for its new mid-range HD camcorder line. The HDC-SD60 features a larger, 1/4.1-inch CMOS sensor, and it includes a 25x optical zoom lens (up from 16x on last year's models).
For first-time camcorder users that are shopping the standard definition market, the Sony DCR-SX60 (MSRP $369.99) may seem like a compelling choice. It has easy touchscreen navigation, a great auto mode, and just a couple options in case you want to try out more advanced videography. Unfortunately, there are several more compelling options on the market that can give you ease of use and superior video performance.
The Canon EOS 7D ($1699 body only) offers similar video performance to the much more expensive—and widely praised—Canon 5D Mark II. New on the 7D, however, is a 24p frame rate that can be used while recording 1080p video. With this addition, along with the cheaper price tag, the Canon 7D is an intriguing DSLR for video enthusiasts.
The Vixia HF S10 is one of three "flagship" camcorders released by Canon this year. It doesn't have the updated stabilization or the increased capacity of the recently released HF S11. However, it offers the same excellent performance, while giving consumers more convenience than the card-only HF S100. And since we're not really sure the HF S11 is worth the extra money, the HF S10 may be the best buy Canon has to offer this holiday season.
The HDR-CX500V (MSRP $1099) from Sony is a high-end HD camcorder that records to 32GB of internal memory or Memory Stick cards. The camcorder did quite well in our testing, and its compact design is certainly striking, but Sony missed the target with its re-designed control wheel and updated menu system—not to mention leaving out several features that are commonly found on high-end models.
As far as mid-range HD camcorders go, the JVC GZ-HM200 ($579 MSRP) is a solid product. The sister-model to the GZ-HD300, the HM200 includes dual SD/SDHC memory card slots and offers a fairly straightforward shooting experience. The camcorder has some handling issues—marred by cheap construction and a flimsy hand strap—but, overall, it's a good mid-range model from JVC.
In most ways, the Sony HDR-TG5V ($999 MSRP) is a very minor upgrade over last year's HDR-TG1. It has the same sensor and lens, but has been outfitted with a new menu system, a redesigned LCD touchscreen, and includes 16GB of internal flash memory. Sony also changed the color scheme a bit and made the new TG5V slightly more compact than the HDR-TG1.
The GZ-HM400 ($999 MSRP) is the larger, more sophisticated cousin model to the JVC GZ-X900. While both camcorders have similar imaging specifications, the GZ-HM400 is packed with extra controls, 32GB of internal memory, and a splendid adjustment dial that puts JVC's Laser Touch system to shame.
The Canon HF S11 is the latest flagship camcorder from Canon. The market is always interested to see what Canon has up its sleeve, but the HF S11 offers very few advantages over the HF S10, released earlier this year. Sure, you have the same solid video performance, but nothing has changed to improve the camcorder's low light sensitivity or the peculiar design elements that make this series intimidating for beginners.
The Panasonic HDC-TM300 (MSRP $1299.99) is the flash memory equivalent of the HDC-HS300, which we reviewed earlier this year. Without the bulky hard drive, the TM300 has a slimmer profile that's more comfortable to hold and easier on the eyes. However, it still has the impressive video performance that drew our approval when we reviewed its hard-drive-based sister model.
The Samsung HMX-R10 doesn't feel or look like an ordinary camcorder. On the surface, it boasts a compact design, rounded edges, and a unique, tilted lens that angles roughly 25-degrees higher than the rest of the camcorder. Inside, it has a huge 1/2.33-inch CMOS sensor, Full HD capability, and a 9-megapixel still image capability—the same specs as the GZ-X900, the top-line model from JVC. With an MSRP of just $499, the Samsung HMX-R10 is a compelling choice for a mid-range camcorder, and it is one of the most intriguing video/photo hybrid devices we've seen this year.
The HDC-TM10 ($599 MSRP), along with the HDC-SD10, represent the newest additions to Panasonic's consumer HD camcorder line. The camcorders are essentially more compact, repackaged versions of Panasonic's previous mid-range HD camcorders (the HDC-TM20, SD20, and HS20). The HDC-TM10 has the same sensor, pixel count, and optical zoom as these larger, cousin models—and it also captures Full HD video at 1920 x 1080.